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"True Identity"
18" X 24"
5-color Screenprint
Limited Edition of 50
Signed and numbered by PaperMonster
http://abztract.com/store/sale

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PaperMonster Stencil Graffiti Art: contact v@papermonster.org or visit www.papermonster.org (myspace.com/elpapermonster)

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Click on image to view "Runaway"
Via World Graffiti:WG – Where do you draw influence from?
PM – I don’t directly draw my influence from one source. I think as an artist you have to create what you want. There are pieces that I make that you will never see because I don’t think they say anything about me growing as an artists. The whole goal is to grow and push your own self yet at the same time you need to know what is going on around you and learn from people around you.
If you don’t feed off the creative vibe around you and use it in a productive way then you will never run out of ideas. REPETITION KILLS. I can NOT stand people who repeat the same image over and over and over. Always the same, no evolution, no new ideas!!! I HATE IT. People get really tired of that and it is what is killing the urban art and gallery scene. It is just bad news overall.
You see more and more galleries just use the same artists who do the same exact thing and the entire scene just needs new life. The same goes for magazines. Over and over you see the same artists and that prevents any new talent from gaining exposure and recognition that they rightfully deserve. It is super sad and one of the main reasons people are not buying magazines. Why,when I can see something new every day online since you have not for the past 2 years.
For me I see it this way; If I wanted to have a quick way out of course I could just repeat a stencil 100 times but what does that say about me and about the time I put into what I do and consider a profession.
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WG – Did you always combine the stencils with the collage stuff or did it develop over time?
PM – It was a major evolution process from the very beginning. The collage work has just become this huge chaotic mess of newspaper, textured paper, comics, money, paper from Tibet, and a bunch of other elements that I collage together.
In each painting I always put something that you can connect with immediate, whether it is you see Spiderman, Ninja Turtles, Ren and Stimpy, Robocop, etc. Once I create that connection then I develop a whole story within the painting so one you are sucked in to the painting you can explore on your own.
The goal now is to take that experience and develop it to something that is stronger and allows the audience to go through more emotions.
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Henry Quiara, E.L.K with Blek le Rat in center
Nathan Phaneuf crisp clean stencil layering on mirror.
Fantastic 3-D sculpture piece by Peat using stencils.
Nathan Phaneuf
HAHA
PaperMonster
Great new direction and quality work from Chris Stain
Chris Stain
Scotch
Scotch also featured in LA Times article alongside many of the participating artists
Joe Iurato
Broken Crow
Joe Iurato
Dave Lowell with insane photorealism skills
Leckomio, Henry Quiara, and Shai Dahan
Dave Lowell
Insane skill by none other than Koleszar. Huge detail and layering of stencils with precision in this piece.
Nathan Phaneuf
PaperMonster, Nathan Phaneuf, and Peat W.
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Dave Lowell and John Koleszar
Koleszar and Man One (Crewest)
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Beutiful photo via Nathan Phaneuf. For more visit:
Dave Lowell and Joe Iurato
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Chris Stain
Nathan Phaneuf amazing women with knives and a beautiful piece in the middle by Peat using stencils on a 3D/Sculpture level. INSANE!!'
Leckomio
Mirror pieces by Nathan Phaneuf
Artist Chaz during his book signing .
Koleszar
Another beautiful shot of Peat's work. MUST SEE!! Taking stencils to new levels.
Love this series by E.L.K.
PaperMonster
Koleszar